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Rothko Museum Poised to Dazzle with Summer Exhibition Season

Rothko Museum Poised to Dazzle with Summer Exhibition Season

At 4 p.m. on Friday, 30 May, the Rothko Museum will unveil its summer exhibition season with six compelling and distinctive projects. From the chromatically layered compositions of Kaspars Zariņš and the provocative visual inquiries of Sergey Dyomin to the meditative graphic language of Lithuanian artist Vaidotas Janulis, the programme promises a richly nuanced encounter with contemporary artistic expression. Also featured are a commemorative exhibition honouring the Daugavpils artist Leonid Baulin, a tribute to the creative legacy of the renowned Latvian ceramicist Violeta Jātniece, and a luminous glimpse into the heritage of Chinese art and craftsmanship with “Oriental Elegance”.

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Culture news 41

Daugavpils is Diversity

Daugavpils ir daudzveidība

The gates of Daugavpils have three symbolic keys, marked in the coat of arms of the city which was approved in 1925: a river, a fortress and a lily, or, in other words, a road, a house and a prayer. These are three concepts that are not related to any particular nationality, culture or religion, but confirm the general human values ​​of the peoples living here.

Is it reward or punishment that Daugavpils has its peculiar and special fate and place in Latvia? This fate is closely linked with the Daugava, the river of fate, the ancient amber route from the Varangians to the Greeks, on the banks of which a city has grown, which, in various variations and at different times, has borne its name: Düna (Dünaburg), Dvina (Dvinska), Daugava (Daugavpils). According to the ancient etymology, the hydronym Daug-ava means a lot, and Daugavpils is indeed a city rich in waters, rich in languages, culture, denominations, and fates, it is a city where multi-ethnical and multicultural environment has been developed since ancient times, accumulating as in a hope chest experience in how to bring together people of many nationalities and many faiths, how to stay yourself without disparaging and destroying the others.

Anna Rancāne

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